Script writing First things first, writing the story; Luckily I bought a comic recently called 'Brink' by Dan Abnett and Ian Culbard and at the back of this comic had a exert of the script. Looking at it, I used that to help me layout and write my own script for my story. Several days later, I got a good friend of mine to read through the script and give me feedback on what needed more work with it. I'll avoid uploading the script here for spoilers sake ;) Character/Monster S

I'm struggling with coming up with a good critical review after my previous critical reviews, I've changed my topic again in the hopes of trying something new and different but I will have to see if it meets the needs of the critical review requirements.

This research task allows me to reflect on my tutor's feedback on my self-directed project. "The question I think you should ask yourself however, is why am I doing this? Do you just want to tick the box and crack on with the next unit of your degree as soon as possible, or do you want to create something and learn from creating it?" The big thing that came up on my feedback which I had expected was the deadline. I had set myself an achievable goal but was way too ambitious,

For this assignment, I have to now think about what my self-directed project will be; I have to write a brief for the project and show my timescale/schedule, as well as showing anything that helped me develop this idea for my project. Brief I would like a black and white graphic novel using a manga format, the cover design can be in colour but must feel cohesive to the story. The amount of pages must be longer than 48 but less than 200; said novel must be aimed at 18 and olde

For this assignment, I will chose a saying (below), and create an illustration that contradicts my chosen saying. Sayings: Good things come to those who wait. Money can’t buy happiness. There’s more fish in the sea. The grass is always greener. Don’t judge a book by its cover. They lived happily ever after. The early bird catches the worm. What you see is what you get. A leopard can’t change its spots. Absence makes the heart grow fonder. Absolute power corrupts absolutely. A

For this research task, I had to take a look at the different ways that different artists approach the story of Metamorphosis by Franz Kafka. Robert Andrew Parker 1 Robert Andrew Parker's adaptation, 1994, etching and aquatint. The illustration presents itself after the transformation and styled in a way that creates really interesting shadows with very minimal amount of line-making; only a focus on shape language, exploring dark shadows then following up to the beetle. Overa

Brief From the opportunities you identified in Research Task 1: Situating Your Work , choose one that you feel is a strong fit for your illustration practice. For this assignment, you can take that one step further and create a piece of work (or a small series of works) specifically for that context. Begin by reflecting on why you have chosen this context over the others you researched - how well do your subject matter, aesthetic sense, and tone align with its audience and

Coming up with my topic for the critical review, I initially wanted to explore fantasy book illustrations because I was really interested in Arthur Rackham’s Alice in Wonderland illustrations. It wasn’t until I was revisiting a sketchbook tour of Kim Jung Gi and Iris Compiet’s Faeries of the Faultlines that I wanted to somehow incorporate that into my critical review. I also have a book called Sketching from Imagination: Storytelling by 3dtotal publishing, and it shows a wide

For this research task, I must look into where my work could potentially be supported, sold or showcased at; looking into certain events and communities that help boost an artist in their abilities to a stage where they can network and sell. My work ranges from comics/graphic novels to (hopefully) book covers, and to illustrations. The audience of my work is typically 15-18+ depending on the content of the work, or it's plot; for the fun illustrations they're usually for all

Think about a technique, process, approach, or way of thinking that feels central to your illustration practice - something you enjoy and feel confident sharing. Now imagine that you’ve been asked to run a short, one-off workshop for a small group (in person or online). Identify your focus (which could be a drawing process, a material, an idea or theme, etc.) and ask yourself: What would you like to teach or explore? Who will attend the workshop? Are they beginners, young or

For this assignment, I must produce my own personal creative manifesto to highlight what I'm comfortable with working on or with, and where my personal boundaries could be crossed. Most of my work is narrative-driven and the subjects are usually fictional, I have worked on sensitive topics within fictional work for story-telling and awareness. I enjoy creating stories/artwork that reflect some of my values and thoughts but I should also be open to creating a space where peopl

For this exercise, I had to calculate and produce a project timeline for a hypothetical project, the aim of this was to gather an idea of how long a project will take to complete; going into this with the (again) hypothetical situation of being commissioned to create said project. In my hypothetical project, I am being asked to create a 120-page Graphic Novel; and in this instance I'm making time for mental well-being, time off and basic human rights for working. I'll aim to